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Chisenhale Gallery is currently hosting a

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nd presenting German Academic Hito Steyerl’s first major solo exhibition in London. Steyerl is Berlin based and her artwork is essayistic in nature. In this 35 minute film, Steyerl focuses on the idea of the “biography of the object,” using this phenomenon as symbols of international relations.

In Free Fall (2010), is a new film co-commissioned by the Chisenhale Gallery, Picture This, Bristol and Collective, Edinburgh, incorporates a series of works – After the Crash, Before the Crash and Crash – which employs the setting and characters of an aeroplane junkyard in the Californian desert to tell the story of the current economic climate. Segments of the production were filmed in California at an Aeroplane graveyard used to film scenes for Keanu Reeves Speed. Robbie Williams has also shot and filmed at the location.

Speaking to Chisenhale Director Polly Staple and Exhibitions and Events Organiser Jamie Stevens, I was informed that the area within the world of the aeroplane junkyard provided ample opportunity for a range of ‘crash’ narratives to unfold, with the stories of actual crashes and the remnants and afterlife of these machines becoming metaphors for our very own modern day economic decline.

The graveyard is endsville for aeroplanes that are past their sell by date. Overtaken and replaced by sleeker, faster and more technologically advanced siblings, the aeroplanes find themselves in this desolate and almost haunting compound in the desert. There are great shots of damaged planes, plane parts and the graveyard owner, who reminded me of an old British naval sea dog. “In real life this is what the fellow does for a living,” said Stevens.

A memorable recurring scene involves a playing DVD player amidst plane debris. It plays continuously and the scene is repeated several times throughout the 35 minute view. It has been appropriately describes as an iconic film within the film.

Staple commented the films ‘recycle’ concept and how aluminum parts from planes are used to make DVD’s. There is the case of Kevan Jenson whose skills have become obsolete as he becomes a casualty of the groundbreaking technological developments with the movie world.

“In Free Fall” also highlights that with the digital age taking moviemaking and viewing onto a different stratosphere the film industry is likely to suffer with certain areas and skills becoming lost arts and archaic.

This is an investigation of planes as they are parked during the economic downturn, stored and recycled, revealing unexpected connections between economy, violence and spectacle, finding a perfect example in the form of the Boeing 4X-JYI, an aircraft first acquired by film director Howard Hughes for TWA, which was subsequently flown by the Israeli Airforce before finding its way to the Californian desert to be blown up for the Hollywood blockbuster Speed. Through intertwined narratives of people, planes and places Steyerl reveals cycles of capitalism incorporating and adapting to the changing status of the commodity, but also points at a horizon beyond this endless repetition.

“In Free Fall” crosses both the realms of reality and fiction and portrays the collection and incorporation of footage in various locations. The aeroplane and “crash” is a metaphor that is projected to mirror the world’s economic crisis and it’s far reaching effects.

A prolific writer, filmmaker, theorist and teacher, Steyerl’s research and interests cover topics as diverse as cultural globalisation, feminism, culture, migration and racism. Her films are a montage of politics and pop, Hollywood and independent film, interviews and voice-over commentaries, which present provocative filmic analyses of the present.

The exhibition at the gallery also includes Kevan Jenson’s painting Black and White Plane (2010), which features in the film and is hung in the foyer of the gallery. A second painting by Jenson, 4X-JYI (2010) hangs in the adjunct studio space.

Through this stimulating and provocative production Steyerl emphasises the notion that like the tragic crash of the aeroplane and global economic meltdown, no product and engaging short film stresses the relevant social and political issue that no object or commodity remains fundamental forever.

Hito Steyerl is based in Berlin. Recent solo exhibitions include Picture This, Bristol; Collective, Edinburgh; Henie Onstad Centre, Høvikodden; Villa Stuck, Munich (all 2010); Neuer Berliner Kunstverein (2009); and Moderna Museet, Stockholm (2008). Group exhibitions include Taipei Biennial; 1st Ural Biennial; Gwangju Biennial; ‘Antiphotojournalism’, La Virreina, Barcelona; ‘Horizons’, BAK, Utrecht (all 2010); ‘Dispersion’, ICA, London; U-Turn Kvadriennale for Samtidskunst, Copenhagen (both 2008); ‘documenta 12’, Kassel (2007) and ‘Manifesta 5’, San Sebastian (2004).

Hito Steyerl at The Chisenhale Gallery

4 November – 19 December 2010
+44 (0)20 8981 4518
mail@chisenhale.org.uk